Adam Lambert, known for his dynamic vocal range and high-profile role as the frontman for Queen, is set to release his sixth solo album, titled *ADAM*, which marks a departure in style and approach for the artist. Scheduled for release later this month, the album embraces influences from 1990s alternative and electronica music, featuring a blend of moody industrial sounds alongside pop melodies.
The opening track, "Rat City," signals a stylistic shift from Lambert’s previous work, drawing comparisons to Gary Numan rather than his iconic Queen predecessor Freddie Mercury. The album explores contrasting moods, with tracks like "Necklace" incorporating French musical elements and catchy choruses, while songs such as "Under The Rhythm" and "Don’t Stop Driving" showcase emotive and introspective tones, echoing styles reminiscent of artists like The Weeknd.
Lambert describes the album as deeply personal, emphasizing themes of self-acceptance and honesty. He explains that *ADAM* reflects his journey of recognizing both strengths and flaws, with many tracks containing confessional lyrics that acknowledge imperfections and past mistakes. This album is also Lambert’s first independent release, a move that has granted him full creative control. Without major label oversight, he says he avoided the common compromises and artistic constraints often imposed by record companies, allowing him to act as his own boss during the project.
In addition to his solo music career, Lambert continues to draw on his theatre experience, having appeared in productions ranging from *Cabaret* to *Jesus Christ Superstar*. Building on this, he is currently developing an autobiographical musical, a project that has been in the works since the pandemic. While details remain closely guarded, Lambert describes the musical as a biographical story about a relatively obscure 1970s musician whose life inspired him. He indicated that the production might include him in a performance role, possibly as a villain, but did not confirm specifics.
Despite focusing on his solo work, Lambert remains connected to his role with Queen. Reflecting on his time performing with the band, he said he strives to honor Freddie Mercury’s legacy by capturing the spirit and intention behind the songs rather than imitating the late singer directly. This “actor-like” approach allows him to bring his own interpretation while respecting the original performances.
Lambert is slated to headline a show at The Roundhouse in London on July 21, which may offer fans a first live experience of some new material from *ADAM*. The album and upcoming projects mark a period of creative exploration and personal expression for the artist beyond his previous high-profile collaborations.