BECKET, Mass. — Jacob’s Pillow, a historic dance center known for hosting the country’s longest-running dance festival, completed its first full summer season in seven years last week. The organization had previously canceled its 2020 summer season due to the coronavirus pandemic, marking the first such interruption since it opened in 1933. Later that year, a fire destroyed one of its two iconic theaters, the Doris Duke Theater.
Plans for a significant comeback in 2025, featuring a new, state-of-the-art theater, were overshadowed by a tragic incident that cut the season short. Kat Sirico, a longtime production manager at Jacob’s Pillow, died after being crushed by a cart carrying engineered wood used to protect the stage. The accident raised concerns about workplace safety conditions at the center and triggered an investigation by the federal Occupational Safety and Health Administration (OSHA).
Jacob’s Pillow occupies more than 200 acres in western Massachusetts and has been a key cultural destination for nearly a century. It has served as a platform for renowned companies such as the New York City Ballet and Alvin Ailey American Dance Theater, and hosted residencies by prominent figures including Mikhail Baryshnikov. This summer, the center marked a milestone with the Martha Graham Dance Company celebrating its centennial. The season also saw returns by the San Francisco Ballet and the Akram Khan Company, alongside international artists from countries including Denmark and Australia.
While the season attracted a diverse and accomplished roster of performers, the community has been grappling with the fallout from Sirico’s death and questions about the center’s safety protocols. OSHA’s ongoing investigation aims to determine the circumstances leading to the accident and whether any violations of safety regulations contributed to it.
Despite the tragedy, Jacob’s Pillow’s reopening signals a renewed commitment to the performing arts after significant challenges, including the pandemic shutdown and the loss of a historic venue. The center’s leadership has not publicly detailed next steps regarding the investigation or plans for future seasons, but the recent events underscore the complex balance between preserving artistic tradition and ensuring a safe environment for all staff and performers.
