Author Craig Revel Horwood on Pantomime's Class and Cultural Role

By the Editorial Team · Tuesday, September 29, 2026

Craig Revel Horwood has published *The Book of Panto*, which examines the historical and cultural importance of British pantomime, highlighting its ties to class, gender, and its vital role in sustaining theatres financially. The book also addresses modern adaptations in pantomime stories, Horwood’s demanding career balancing television and theatre, and the evolving social attitudes reflected in the art form.

Craig Revel Horwood, the choreographer and television personality known for his role on Strictly Come Dancing, has released a new book titled *The Book of Panto*, which explores the history and cultural significance of pantomime in the United Kingdom. Horwood describes pantomime as a uniquely British theatrical tradition that is both subversive and deeply entwined with issues of gender and class.

In his book, Horwood discusses the pervasive nature of class in the UK, contrasting it with Australia where class distinctions exist but are less overt. He asserts that class consciousness is “inbred” in the British population and unlikely to disappear. Despite some critics dismissing pantomime as lowbrow entertainment, Horwood highlights its importance to the theatre industry, arguing that pantomime sustains theatres financially throughout the year. He contends that many institutions reliant on high art are often funded by the proceeds generated through pantomime performances.

Horwood also shares insights into his demanding professional schedule. Balancing his commitments to Strictly Come Dancing and pantomime season requires careful coordination, with Strictly-themed work occupying Saturdays and pantomime performances on other days. Following the Saturday live Strictly shows, he often travels long distances overnight to reach Sunday pantomime performances, describing the routine as physically and mentally taxing. Beyond these commitments, Horwood directs the Strictly Live arena tour and judges on the Australian television show *Dancing with the Stars*. His career has also included coaching actors, such as Hugh Grant, for film performances.

Personal reflections in the book reveal Horwood’s plans to marry his longtime partner, Jonathan Myring, a paramedic, though the ceremony has been postponed until 2028 to fit his intense work calendar. He emphasizes the importance of maintaining independence within their relationship, noting that neither partner wants to be overly dependent on the other.

Horwood addresses public perceptions of relationships formed on reality television, rejecting the idea that romance from Strictly Come Dancing should be viewed as scandalous. He encourages embracing love when it arrives at the right moment.

On the topic of evolving social attitudes, Horwood notes recent changes in pantomime storylines to reflect contemporary values, such as revising the traditional "prince wakes Sleeping Beauty with a kiss" trope to ensure consent is central to the plot. He describes the pantomime villain as a pivotal figure who, despite their role, embodies the genre’s underlying themes of justice and morality.

Reflecting on his early experiences as a Strictly judge, Horwood recalls instances of hostility but observes that public attitudes have softened over time. He also pays tribute to his late friend and colleague Jo Brand, sharing memories of their professional collaboration and personal connection.

*The Book of Panto* aims to celebrate the art form’s blend of humor, social commentary, and inclusivity, underscoring its enduring role in British cultural life. The book will be published on October 8.

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