As Brighton prepares to host its annual Pride celebrations, local security officials are intensifying efforts to address emerging threats. Dritan Dervishi, reportedly an adviser to an Albanian crime boss, has arrived in the city with a specific target in mind. Detective Superintendent Roy Grace is leading the coordination of a security operation to counteract these developments. The situation is further complicated as Grace and his wife prepare for a social event, unaware that they may be walking into a potentially dangerous trap.

In literature, recent notable releases offer diverse perspectives on identity, history, and culture. Donal Ryan’s novel *Where Are the Kings* (£16.99, At 12) centers on Jack, a young boy grappling with insecurity and questions of masculinity as he transitions into adulthood. Surrounded by a complex network of family members, Jack’s journey is marked by the challenges of understanding himself amid the influences and voices of his extended relatives. The book has been praised for its poetic approach to masculinity and its invitation to reconsider personal relationships.

Meanwhile, two new books connected to the legacy of The Beatles have garnered attention. Gary Kemp, frontman of Spandau Ballet, has authored *1967* (£25), a richly illustrated volume co-designed with Simon Halfon. The book delves into the cultural backdrop of that pivotal year through the lens of Brian Epstein, The Beatles’ manager. Kemp’s research includes Epstein’s 1967 address book, which reveals connections to well-known figures such as the Rolling Stones and Cilla Black, alongside lesser-known individuals from the era. The work explores Epstein’s complex life as a closeted homosexual and touches on the mysterious circumstances surrounding his death in 1967.

Hunter Davies, known for writing The Beatles’ official biography, offers *Get Back* (£25), a narrative retracing the band’s working-class origins and evolution. While much of the content covers familiar ground, Davies provides a detailed, well-researched perspective on the group’s formative years.

Together, these recent publications contribute nuanced reflections on personal identity, historical context, and cultural legacy, complementing the vibrant social dynamics currently unfolding in Brighton.