At Copenhagen Fashion Week last month, a diverse group of individuals showcased personal styles that reflect deeper narratives and design philosophies, illustrating how clothing can serve as a medium for self-expression and storytelling.
Kimberly Drew, a 35-year-old art curator and writer, drew attention with a vintage T-shirt from the Million Woman March of 1997, a gift from her mother. She described the shirt as a “badge of honor,” using it as a conversation starter to engage in meaningful discussions on social and cultural issues. Drew’s eclectic look also included a fishnet durag, which she said was crafted by nuns, and a necklace inspired by Candomblé, an Afro-Brazilian religion, demonstrating how cultural heritage can influence contemporary fashion.
In Copenhagen, footwear designer Salehe Bembury, 40, emphasized color and creativity in his work and dress. Founder of the footwear brand Spunge, Bembury likened his creative process to the uninhibited expression of childhood. When interviewed, he wore a quarterzip work shirt artfully embroidered with paint-like splotches, paired with reimagined carpenter trousers featuring padded sides instead of traditional tool pockets. His approach highlights a blend of artistry and craftsmanship in his everyday attire.
In London’s Marylebone district, Pauline Harris, 62, showcased an elegant yet understated style. Wearing a linen jumpsuit complemented by large-framed sunglasses and bold accessories on her neck, ears, and wrist, Harris exuded sophistication. A trained tailor and owner of Cromford Leather Company, an atelier specializing in men's jackets, she remarked on the practicality and satisfaction of making her own clothes. Harris conveyed a philosophy of dressing well over striving for youthfulness, focusing instead on presenting her best self.
Anders Vogt, a 56-year-old psychotherapist in Copenhagen, demonstrated a preference for secondhand and vintage clothing, appreciating garments that have been worn and carry a history. Spotted in August, Vogt wore a well-worn button-up shirt with Fjallraven hiking pants, a long navy jacket, and leather barefoot shoes, embodying an urban explorer aesthetic. He admitted to a casual approach toward fashion, selecting pieces that fit within his existing wardrobe without overthought, prioritizing comfort and longevity.
Together, these individuals reflect the multifaceted ways personal style functions as a form of identity and creative expression in contemporary culture, blending heritage, sustainability, and craftsmanship across cities known for their vibrant fashion scenes.