By mid-1945, Daphne du Maurier’s relationship with Christopher Puxley had come to an end. Her husband, Tommy “Boy” Browning, a soldier posted in the Far East as chief of staff to Supreme Allied Commander Lord Mountbatten, remained stationed in Ceylon (now Sri Lanka) until July 1946, leaving du Maurier to manage family life largely on her own. Despite the distance, du Maurier took pride in her new title as Lady Browning following Tommy’s knighthood for his wartime service.
Du Maurier had hoped for a warm reunion upon Tommy’s return, but her expectations were unmet. In correspondence with her former French teacher and close confidante Fernande, with whom she had shared a decades-old intimate relationship, du Maurier described a strained reunion. Despite efforts to reinvigorate their marriage, including preparing for Tommy’s homecoming and envisioning renewed affection, his arrival was characterized by distant politeness, accompanied by his staff, including a notably attractive female assistant. Du Maurier lamented the absence of physical intimacy, questioning whether the sexual aspect of their marriage had ended.
Tommy’s letters from Ceylon revealed moments of tenderness but also reflected a fragile psychological state. His reliance on his personal assistant, Maureen Luschwitz, who had been part of his life since 1945, sparked family speculation about the nature of their relationship, a subject likely to remain unclear until the scheduled release of Maureen’s private correspondence in 2040. Regardless, the silence surrounding this relationship led some to doubt any affair took place.
The challenges faced by the couple were not uncommon for war veterans reintegrating into family life after extended absence. Tommy, burdened by the psychological scars of war, retreated into a reserved persona. Although their relationship saw some improvement by late 1946, with du Maurier visiting Tommy in London and noticing his subtle jealousy about her independently restored family home, regular separations and lingering emotional distance persisted. Tommy’s demanding military career often kept him in London during the week, returning to their London flat only on weekends, where he maintained a gloomy demeanor, earning him the family nickname “Moper.”
Following his military retirement in late 1947, Tommy transitioned to a senior royal appointment as Comptroller and Treasurer to Princess Elizabeth and Prince Philip. His service during a critical moment in February 1952, when Princess Elizabeth became Queen, included managing the logistics of her immediate return from Kenya. Du Maurier observed the toll this period took on Tommy, noting his visible aging after the Queen’s accession and the remarkable composure Elizabeth displayed during early royal duties.
Tommy subsequently became Treasurer to Prince Philip, serving closely alongside the Duke. Archival material from Prince Philip’s records, expected to be released no earlier than 2027, may provide further insight into their relationship. Anecdotal accounts suggest a bond marked by camaraderie and respect.
During this turbulent period for the Browning family, du Maurier also faced a significant professional challenge. In autumn 1941, a plagiarism lawsuit was initiated in New York by Edwina Levin MacDonald, alleging that du Maurier’s novel Rebecca copied material from MacDonald’s works. Although the case dragged on through the war years, it culminated in du Maurier’s summons to New York in late 1947 to testify, an emotionally taxing experience occurring shortly after Tommy’s difficult homecoming. Her publishers on both sides of the Atlantic pledged vigorous defense, underscoring the high stakes for the acclaimed author’s reputation.
Du Maurier’s letters from this era thus reveal a complex portrait of personal and professional struggle in the wake of wartime separations and the pressures of public life, highlighting the challenges faced by a prominent literary figure navigating marriage, motherhood, and career amid postwar realities.
