In the working-class neighborhoods of Abidjan, Ivory Coast, a vibrant street dance known as biama has rapidly gained popularity among young people. This energetic and fast-paced dance style, which originated in the Yopougon district, combines acrobatic twists, rapid footwork, and expressive facial gestures. It has become a widespread cultural phenomenon since its emergence a few years ago, evolving from the country’s popular coupé-décalé music.

Biama events typically take place outdoors on vacant sandy lots, where local DJs spin a blend of musical styles, including zouk, zouglou, and Afrobeat. These gatherings start around 5 p.m. and attract teenagers dressed in colorful sportswear who perform the dynamic and often improvisational moves. Entry for spectators costs between 1,000 and 2,000 CFA francs (approximately $1.70 to $3.50), while dancers participate free of charge. Organizers, such as 29-year-old Junior Koffi, known as the “God of War,” describe biama as a dance that embodies fun and creative expression.

The dance form’s origins trace back to an accidental moment in 2021, when a young man celebrating a video game win spontaneously began dancing in a gaming room, an incident later shared widely on social media. Karl Guei, aka “Kalomaman,” the dancer in the viral clip, now commands a following of two million TikTok subscribers. Since then, biama has expanded throughout Abidjan and other Ivorian cities, fostering weekly dance meetings despite occasional noise complaints from neighbors.

Beyond entertainment, biama has developed into an economic activity that supports many young participants. Dancers often earn tips during performances, which help them afford necessities such as clothing and school supplies in a city noted for its high cost of living. Leading figures like Dydy Yeman, a dancer and singer, have gained substantial online audiences, with millions of views on YouTube, and performed internationally in Africa and Europe. Yeman, proud of his Yopougon roots, has performed at festivals in more affluent areas of Abidjan, where ticket prices rise to 10,000–15,000 CFA francs.

The dance’s influence extends beyond the streets, with its own television program dedicated to biama news airing on a private channel. Sociologist Stephane Babo acknowledges the movement’s cultural significance and its economic potential, noting how it generates employment and fosters career opportunities within the dance community. Associated businesses such as clothing sales have also benefited. Music arranger Elie-Michel Assie Diou highlights the market opportunity biama presents, reporting over 50 artists recorded in his studio within a few years.

Overall, biama exemplifies a youthful cultural trend that merges artistic innovation with economic activity in Ivory Coast’s urban landscape.