Chuck Lorre, the prolific television writer and producer behind popular series such as “The Big Bang Theory,” “Two and a Half Men,” and “Mike & Molly,” has released a memoir offering an unvarnished look at his personal struggles and professional controversies. The book, titled *Sitcom*, delves into his experiences in Hollywood, including conflicts with prominent figures and reflections on his own challenges.
Lorre candidly describes a decade-long involvement with the Church of Scientology, recounting an early out-of-body experience during his initiation. He said he signed a “billion-year contract” with the organization, dedicating himself to helping free immortal spirits known as thetans. However, Lorre expressed regret over his faith in Scientology, especially after it failed to provide healing when he developed ulcerative colitis and faced his father’s declining health.
The memoir also addresses tensions with several well-known actors and producers. Lorre praises Roseanne Barr’s talent during his time writing for the hit show “Roseanne” but criticizes executive producer Tom Arnold for allegedly demanding credit on scripts he did not write. Arnold has denied these claims. Lorre further recounts working on the 1990s sitcom “Cybill,” noting a shift in lead actress Cybill Shepherd’s behavior after she gained greater control over the show’s creative aspects, which ultimately led to Lorre’s departure. Representatives for Shepherd did not respond to requests for comment.
Lorre revisits his tumultuous relationship with Charlie Sheen on “Two and a Half Men,” describing Sheen’s declining health during the final scenes he filmed and the aftermath following Sheen’s 2011 firing, which included a $100 million lawsuit against Lorre and Warner Brothers. The resultant public fallout brought death threats and police protection for Lorre, who said he had previously maintained a low profile.
On the sitcom “Mom,” Lorre expresses initial reluctance to cast Anna Faris as the lead. After seven seasons, Faris left the show citing new opportunities, but Lorre implied that her departure was surrounded by undisclosed circumstances. Faris, who has been open about struggles with alcohol and depression, responded to Lorre’s commentary on social media, emphasizing her recovery journey and expressing that his remarks were hurtful.
Lorre also discusses salary disputes on “The Big Bang Theory,” revealing that original cast members asked to take a 10 percent pay cut to accommodate newer cast members Melissa Rauch and Mayim Bialik reacted negatively to the proposal. Lorre noted that only a few cast members remained in contact with him afterward.
Finally, Lorre reflects on the 2007-2008 Writers Guild of America strike, which he believes indirectly contributed to Donald Trump’s 2016 presidential victory. During the strike, networks aired game shows and reality programs not subject to union contracts, including “The Apprentice,” which he argues helped boost Trump’s public profile.
The memoir offers an intimate and often combative account of Lorre’s career and personal life, framed by his own perspective and wry commentary.