Novelist and filmmaker George Sullivan draws on a diverse career spanning adaptations of classic literature, animation, and distinctive character creation to craft his detective series featuring DS George Cross, a neurodivergent police detective based in Bristol, England.
Sullivan’s background includes directing Jeremy Brett in Sherlock Holmes adaptations, writing for projects ranging from E.M. Forster and Evelyn Waugh adaptations to working on animated films like “Flushed Away” and “My Little Pony: A New Generation.” This eclectic experience, he says, culminated in his decision to write crime fiction, a genre he found well suited as a next creative step.
The DS Cross series introduces readers to a detective on the autism spectrum whose condition is portrayed not as a limitation but as an essential part of his investigative skills. Sullivan emphasizes the importance of authenticity in his depiction of neurodivergence, noting that Cross’s meticulous adherence to protocol and dogged pursuit of justice reflect traits often found in individuals on the spectrum. The character’s inability to drive and his musical hobby of playing the organ further distinguish him within the tradition of literary detectives influenced by figures such as Sherlock Holmes and Georges Simenon’s Jules Maigret.
Sullivan explained that he has long been interested in autism spectrum condition, having observed the treatment and understanding of it evolve over several decades in the UK. He undertook extensive research over 15 to 20 years to ensure a credible and respectful representation of autism in his writing. Initially concerned that publishers might reject the work due to fears of “neuroscientific appropriation,” he self-published his first book. Contrary to his expectations, the autistic community embraced the series, with Sullivan receiving feedback from readers who found the depiction meaningful and insightful, including autistic individuals and professionals within law enforcement.
“The character’s autism is not an affectation or a writer’s accessory,” Sullivan said. “It’s who he is,” underscoring that the condition is integral to Cross’s identity and investigative approach rather than a peripheral trait.
Sullivan’s approach to character development centers on the details overlooked by others. He described how Cross forms a partnership with victims by becoming their advocate, a commitment that drives his investigative focus. Each novel in the series spotlights a victim’s profession, allowing Sullivan to immerse himself in unique worlds through immersive research. For example, while writing "The Tailor," he commissioned a bespoke suit to understand the craftsmanship involved, enriching his narrative with authentic terminology and nuances of the trade.
The author also recounted his early film industry experiences, notably collaborating with avant-garde director Derek Jarman and working alongside producer Derek Granger on adaptations of Evelyn Waugh’s "A Handful of Dust." His screenwriting credits include contributions to high-profile animated features and unproduced sequels, reflecting a career marked by versatility and adaptability. Sullivan sees a throughline in all storytelling formats, whether they involve experimental cinema or family animation, emphasizing the importance of narrative momentum and character depth.
Looking ahead, Sullivan hinted at potential future stories inspired by his varied life experiences. While he did not confirm any specific forthcoming projects, he remarked on the possibility of exploring new victim professions in future books, noting the organic and discovery-based nature of his writing process.
Through DS Cross, Sullivan offers a nuanced and empathetic portrayal of a neurodivergent detective navigating complex criminal investigations, drawing from a rich tapestry of professional and personal insights to engage readers with authenticity and depth.