Mexico City’s annual Day of the Dead parade marked its 10th anniversary on Saturday, drawing hundreds of thousands of spectators to the capital’s streets for a vibrant public celebration that has grown from a family tradition into a major cultural event. The parade, which features large skeleton figures, colorful floats, elaborate costumes, musicians, and acrobats, has become a highlight of the city’s calendar, coinciding this year with the weekend of the Formula One Grand Prix race.

The Day of the Dead, or Día de los Muertos, honors deceased loved ones by blending ancient pre-Columbian customs with Christian All Saints’ Day observances. Traditionally, Mexican families visit cemeteries, set up altars adorned with food, flowers, and personal mementos to remember those who have passed. The shift toward a large-scale public parade in Mexico City, however, is a relatively recent development that gained momentum after the 2015 James Bond film “Spectre” featured an opening scene set during a Day of the Dead celebration in downtown Mexico City.

Miguel Angel Mancera, Mexico City’s mayor from 2012 to 2018, organized the inaugural parade in 2016 and noted that the event quickly garnered significant public interest. Several giant skeleton figures used in the film appeared in the first edition of the parade. Mancera described the parade’s growth as an “adventure” and expressed pride in how the event has become embedded in the city’s cultural life.

The parade this year included an 11-story sculpture of Catrina, the elegantly dressed female skeleton emblematic of the Mexican holiday, prominently displayed in the Zócalo, the city’s main square. Visitors like Ana Suares, a tourist from Portugal, praised the event for its festive atmosphere and communal spirit, remarking on the vibrant costumes, joyous mood, and the collective honoring of those no longer living. Isabel Halsey, from the United States, described the celebration as “colorful, smelly, dramatic” and appreciated the diverse mix of attendees.

Despite the parade’s popularity, the transformation of the Day of the Dead from a more intimate family ritual into a mass event has raised questions about its impact. Roberto Montalvo, an academic at the Iberoamerican University, noted that the influx of tourists has led to crowded cemeteries where visitors sometimes compete with families for space. He posed a reflective question about whether the traditional practices are adapting to accommodate tourism or if visitors must adjust to the ritual’s original intent.

City officials estimated that over half a million people, both locals and international tourists, attended the parade festivities. The event underscores Mexico City’s evolving approach to blending heritage and contemporary cultural expression while maintaining respect for the holiday’s deep-rooted significance.