Japanese historical drama *Kokuho* has become the highest-grossing live-action film in Japan, despite its unconventional subject matter focusing on kabuki theatre, a classical form of all-male stage performance. Since its release in June 2025, the film has earned over 20 billion yen (approximately S$159 million) at the Japanese box office, a remarkable feat given its nearly three-hour runtime, niche theme, and limited promotional activities.
*Kokuho* follows the story of Kikuo, portrayed by Ryo Yoshizawa, a young man who loses his yakuza father and is subsequently taken under the care of a legendary kabuki actor, Hanai, played by Ken Watanabe. The narrative centers on Kikuo’s rigorous training as an onnagata—male performers who specialize in female roles in kabuki—alongside Hanai’s son Shunsuke, portrayed by Ryusei Yokohama. The film draws on a 2018 novel by Shuichi Yoshida and was partly inspired by a renowned onnagata actor active before and after World War II, whose unique style and background resonated with director Lee Sang-il.
Lee, 52, who has directed acclaimed films and episodes for the Apple TV+ series *Pachinko*, emphasized the emotional depth behind the story, aiming to go beyond capturing the technical aspects of kabuki. He sought to portray the internal struggles of performers, focusing on themes of ambition, rivalry, and insecurity. This approach contributed to the film’s distinctive dramatic tone, diverging from traditional kabuki performances that rarely display overt emotion on stage.
Yoshizawa, known for roles in adaptations of popular anime and manga such as *Kingdom* and *Gintama*, underwent 18 months of intensive kabuki training ahead of filming. He detailed the challenges of mastering foundational techniques, like *suji ashi*—the characteristic sliding footwork critical to kabuki’s visual aesthetic. Yoshizawa noted that while kabuki actors make their movements appear effortless, the discipline demands considerable skill and precision.
The film’s critical acclaim includes a historic Oscar nomination for Best Makeup and Hairstyling in January 2026, marking the first time a Japanese-produced movie received recognition in that category. Additionally, *Kokuho* dominated the 2026 Japan Academy Film Prize, sweeping a record 10 awards including Best Picture, Best Director for Lee, and Best Actor for Yoshizawa.
Speaking at a New York screening in late 2025, both Lee and Yoshizawa highlighted the film’s exploration of complex artistic emotions such as jealousy and self-doubt—universal experiences within creative communities. Yoshizawa expressed a personal connection to these themes, noting that this emotional authenticity enriched his performance. The film opened in Singapore cinemas on July 23, 2026, expanding its international reach.
*Kokuho* stands as a rarity in contemporary cinema, combining the exacting art of kabuki with a profound character study, achieving both commercial success and critical recognition through its nuanced storytelling and heartfelt performances.