Beneath the forest floor lies a complex network of mycelium—thread-like structures that connect organisms underground and facilitate the exchange of nutrients and information. These often unseen fungal networks play a critical role in maintaining soil health, with mushrooms serving as their visible reproductive parts.
This hidden ecosystem forms the centerpiece of “Fruiting Bodies,” a new solo exhibition by Penang-based multidisciplinary artist Hasanul Isyraf Idris. Displayed at the independent arts space Blank Canvas in George Town, Penang, the exhibit runs through Nov. 8 and features large murals, smaller paper paintings, and an installation that explores fungal growth and symbiosis.
Hasanul, who relocated to George Town from Kuala Lumpur in 2012, draws parallels between mycelial networks and the way ideas and connections can spread subtly beneath the surface before becoming visible. His artwork portrays diverse mushroom forms, including white parasols and oyster-shaped caps, emphasizing their role as essential but often overlooked contributors to forest ecosystems.
“Mycelia are among nature’s most resilient and important composters,” Hasanul explains. “They link to tree roots in symbiotic relationships that allow trees to access water and nutrients in exchange for sugars produced through photosynthesis.” This biological exchange, he adds, reflects broader natural cycles in which all components have purpose, regardless of visibility.
The artist’s previous works often explored fictional and surreal themes influenced by pop culture, but his recent focus has shifted toward natural subjects. His 2023 exhibition, Nightwalking, examined nocturnal encounters with nature through depictions of moths and celestial bodies. The current exhibition builds on more than a year of research inspired by a visit to a mushroom farm in 2012 and ongoing observations at a rural property Hasanul purchased in 2019 near Selama, Perak.
During weekends spent on this land, which he has preserved as natural wilderness alongside a family vacation home and studio, Hasanul documented local fungal life, gradually deepening his engagement. His artworks are catalogued in a scientific style, with titles referencing sample sites and collection dates, such as SGSPTHKBH(15)20260716, denoting Sungai Seputeh near his Kebun Bintang Hijau studio.
A significant component of the exhibition is a tactile installation showcasing live mycelium cultures developed in collaboration with Universiti Sains Malaysia mycologist Dr. Rosnida Tajuddin. The installation features mycelium in petri dishes at various growth stages, liquid cultures, and innovative skin-like materials. Some fungi are shown decomposing paper materials from books and magazines, including works of personal significance to Hasanul. This process highlights fungal roles in natural cycles of decay and renewal, which the artist sees as a metaphor for life, death, and grief.
“No matter how high we build or how far we travel, ultimately the forces of nature decide what becomes of us,” Hasanul reflects.
His work has earned critical recognition, including winning the top prize in the 2024 UOB Painting of the Year (Malaysia) competition. The Fruiting Bodies exhibition is supported by UOB Malaysia and will feature guided tours led by Hasanul and Dr. Rosnida on Oct. 10 and Oct. 17, with limited spaces available by pre-registration. The gallery open hours are noon to 7 p.m. Thursday to Monday. Blank Canvas is located at No. 85 Lorong Soo Hong, George Town. Admission is free.