After more than two decades on the operatic stage, mezzo-soprano Lisette Oropesa finds herself in a position of greater artistic agency, able to select roles that align with her interests and strengths. This month, Oropesa takes on the demanding lead in Vincenzo Bellini’s "I puritani" at the Royal Opera House in London, portraying the complex character of Elvira Walton.

"I puritani," a staple of the Italian bel canto tradition, is known for its vocal challenges and dramatic intensity. Set against the backdrop of the English Civil War, the opera features a narrative tension that is less concerned with historical accuracy and more focused on emotional and musical expression. The role of Elvira has a heritage of association with legendary sopranos such as Joan Sutherland and Maria Callas, underscoring the role’s prominence and difficulty. The tenor part is famously difficult, featuring a high F that has been described as "Everest adjacent"—a metaphor Oropesa, 42, invokes herself to convey the formidable demands of the score.

Bel canto operas demand technical precision and endurance, qualities that Oropesa has honed through her disciplined approach to physical fitness. The Cuban-American artist draws a parallel between her vocal work and athletic training, citing long-distance running as a key component of her regimen. She regularly runs approximately 20 miles per week and has completed numerous half and full marathons, including the Pittsburgh Marathon in 2015, which she ran the morning after performing in Donizetti’s "La Fille du régiment."

Oropesa’s commitment to well-being and stamina is integral to managing the physical exertions required for such intense roles. Her ability to maintain this balance between physical fitness and vocal performance has contributed to her longevity and continued success in the international opera arena. With her current engagement at the Royal Opera House, she exemplifies a blend of technical mastery and personal choice that many artists strive to achieve but only few reach.