On October 2, the Royal Academy in London will open an exhibition titled Painting the French Riviera, showcasing the profound influence of the Côte d’Azur on several generations of artists from the late 19th to mid-20th centuries. The exhibition, running until January 31, brings together works by Claude Monet, Henri Matisse, Pablo Picasso, Pierre Bonnard, Paul Cézanne, Marc Chagall, Raoul Dufy, and others. These pieces, assembled from major institutions including New York’s Museum of Modern Art, Paris’s Centre Pompidou, and the Museum Barberini in Potsdam, offer a comprehensive overview of the artistic transformations inspired by the Mediterranean coast.

The exhibition highlights the unique light and landscapes of the Côte d’Azur, first captured in the late 1800s when Monet visited Antibes in 1888. The artist’s time there marked a shift in his use of color and light, as he painted a series of 39 works that explored changing daylight over locations such as the Salis Gardens, Pointe Bacon, and Juan-les-Pins. Monet described the region’s sunlight to fellow sculptor Auguste Rodin as akin to “gold and gems,” a quality that shaped his vibrant palette. These works, however, are rarely publicly displayed, as many reside in private collections and American museums.

The exhibition also draws attention to Picasso’s creative phase in Antibes during 1946 when the château Grimaldi, now the Musée Picasso, offered him a studio space. Although many of his pieces were produced under artificial light, Picasso found inspiration in the raw vitality of the Mediterranean environment and his relationship with Françoise Gilot, then his partner. These works remain on display at the museum, located in the historic 14th-century château overlooking the sea.

Nearby, the Musée Bonnard in Le Cannet exhibits pieces by Pierre Bonnard, who first arrived on the Riviera in 1904 and found his artistic voice deeply influenced by the region’s distinctive landscape and colors. The museum’s collection features the 1922 painting La tranchée au Cannet, which exemplifies his intense and emotive use of color during a turbulent period in his personal life.

Visitors to the region can explore further afield, with the towns of Nice, St Tropez, and the Esterel Massif offering additional contexts for the artists’ work. Notable is the quieter off-season atmosphere of St Tropez, once home to pointillist Paul Signac, whose work is also included in the Royal Academy exhibition. The Esterel Massif presents rugged, rust-colored cliffs meeting the Mediterranean Sea, a landscape prized for its natural beauty and light—elements that first attracted Monet and continue to inspire.

The exhibition offers admission starting at £24, with additional opportunities for visitors to experience the sites that shaped these influential artists’ visions. The event underscores how the French Riviera’s luminous environment has been a catalyst for artistic innovation and transformation over nearly a century.