The latest installment in Ryan Murphy’s anthology series Monster, titled The Lizzie Borden Story, dramatizes the notorious 19th-century axe murders in Fall River, Massachusetts, offering a stylized and unconventional interpretation of the infamous case. The series opens with the brutal killings of Lizzie Borden’s stepmother, Abby, and father, Andrew, before rewinding to events four months earlier to explore the circumstances leading up to the crime.
Set in the late 1800s, the narrative places considerable emphasis on Lizzie’s experience with menstruation, portraying it as a central theme throughout the first episode. The storyline follows Lizzie’s struggles with painful periods, including episodes that disrupt her social prospects and provoke conflict within the household. The arrival of a new maid, Bridget, introduces alternative perspectives on menstruation and female health, involving elements such as a hand-cranked vibrator and references to historical figures like the Countess of Báthory, known for her association with blood rituals.
The series also incorporates controversial details, such as a medical device dubbed a "Chattanooga medical massager," introduced as a remedy for Lizzie’s pain, linked to a diagnosis of an unbroken hymen. This detail reflects a blend of period-appropriate medical practices and creative license by writer Ian Brennan.
Performances by the cast have drawn attention, particularly Rebecca Hall’s portrayal of Abby Borden, which some critics highlight as a standout in a challenging role. Ella Beatty assumes the role of Lizzie Borden, while Charlie Hunnam portrays her father, Andrew. Vicky Krieps appears as Bridget, the maid who influences Lizzie’s understanding of her condition and surroundings.
Despite the strong acting, the series has faced criticism for its approach to the historical subject matter. Some commentators argue that it prioritizes sensational and graphic portrayals over a meaningful exploration of Lizzie Borden’s character or the societal context of the era. There is a view that the show indulges in a stylized, almost fetishistic depiction of menstruation and violence, which detracts from a nuanced retelling of the events and motivations behind the murders.
The Lizzie Borden Story represents a departure from more traditional crime dramatizations by focusing on bodily experiences and lesser-known aspects of Victorian-era womanhood. However, the series’ approach has sparked debate about the balance between creative interpretation and historical accuracy in retelling one of America’s most enduring murder mysteries.