Nino, a French drama directed and co-written by Pauline Loquès, explores the emotional turmoil of a young man confronting a terminal illness. Set over the course of a turbulent weekend in Paris, the film follows Nino Clavel, played by Théodore Pellerin, as he grapples with a throat cancer diagnosis caused by the human papillomavirus (HPV) just days before his 29th birthday.

Upon receiving the news during what began as a routine medical appointment, Nino processes the shock largely in isolation while his friends and family remain unaware, focusing instead on his upcoming birthday celebrations. A key aspect of the story centers on Nino’s decision to undergo chemotherapy, which will render him unable to father children. In response, he opts to donate sperm before treatment begins, adding an emotional layer to his struggle by confronting his fears and hopes for the future.

The narrative delves into Nino’s interactions with those close to him, including a visit to his mother, portrayed by Jeanne Balibar, and an encounter with a former lover, played by Camille Rutherford. A surprise birthday party organized by his friend Sofian (William Lebghil) and an unexpected meeting with an old schoolmate (Salome Dewaels) and her young son further underscore the film’s themes of fragility and the unpredictable nature of life.

Critics have noted that the film’s strength lies largely in Pellerin’s performance, which captures the complexity of a man torn between denial, disbelief, and self-acceptance. His portrayal conveys the tension of dreams and plans abruptly disrupted by illness, contributing to the film’s intimate and compassionate tone.

The role of Mathieu Amalric has been criticized by some as a minor subplot that does not significantly advance the central story. However, this element may underscore the film’s broader meditation on the difficulty of finding clarity amid chaos, reflecting Nino’s own challenge in coming to terms with his diagnosis.

Shot within a concise timeframe, Nino presents a sensitive and nuanced character study. Loquès’s film invites viewers to witness the emotional upheaval of confronting mortality, while highlighting personal resilience and the intricate dynamics of relationships when faced with life-altering news. The film is currently available in cinemas.