Thousands of protesters gathered Friday evening outside the John F. Kennedy Center for the Performing Arts in Washington, D.C., to oppose recent developments surrounding the center following President Donald Trump’s takeover and controversial renovation plans. The event, organized by a staff-founded advocacy group called “Hands Off the Arts,” featured a human chain around the building, speeches, and musical performances aimed at preserving the center’s legacy and opposing the president’s demands.

The Kennedy Center's main building has been closed since Wednesday, initially described by its leadership as a temporary measure. However, the closure is slated to last up to two years to accommodate a major renovation project that President Trump has linked to his insistence that his name be reinstated on the center’s signage. The president’s directive followed the removal of his name from the building in June, a move ordered by a federal judge after Trump’s appointed board had renamed the institution the “Trump-Kennedy Center” the previous year.

Trump, who assumed control of the center in 2025, has publicly criticized past management for neglecting the aging facility and pushed for substantial renovations, which he has tied to personal branding of the venue. In recent days, he threatened to cancel approximately $250 million in renovation funds if his name is not restored. A federal judge has since ordered that the center must provide advance notice before any demolition or construction occurs, denying an emergency hearing that sought to immediately halt such plans.

The rally drew a diverse crowd, including longtime patrons, performers, and local politicians. Attendees wore red pins emblazoned with “Hands Off the Arts” and included artists and advocacy figures who have opposed changes they perceive as politically motivated and damaging to the center’s cultural mission. One co-organizer described the center as having lost its vibrancy, calling for a return to its role as a bustling artistic hub. The protest included performances by the Gay Men’s Chorus of Washington and speeches from public figures such as D.C. Council Member Robert C. White Jr. and actress Lynda Carter, who emphasized the broader importance of the arts to society.

Supporters of Trump argue that his involvement aims to modernize and revitalize the center, which they contend has suffered under previous leadership. Critics say the president’s actions—particularly his attempt to attach his personal brand to the venue—have undermined the institution’s reputation, leading to dwindling ticket sales, donor withdrawals, and artist boycotts.

The event, originally planned as a culmination of months of protests, gained renewed momentum after the recent closure and threats of demolition, drawing far larger crowds than organizers expected. Additional fencing around the complex restricted the protesters’ access, preventing them from encircling the entire building as intended. Nonetheless, the gathering reflected widespread concern over the center’s future and a call from the arts community to maintain its dedication to cultural preservation free from politicized rebranding.