A new production of Shakespeare’s *As You Like It* directed by Daniel Evans recently opened at the Royal Shakespeare Theatre, featuring an all-male cast and marking the Shakespearean debut of American actor Jonathan Groff as Rosalind. The performance experienced a significant setback when the set machinery malfunctioned approximately thirty minutes into the show, shortly before the characters were to enter the Forest of Arden. This technical issue caused a delay of over an hour, after which the cast returned to an audience that responded with applause and anticipation.
Groff’s portrayal of Rosalind drew attention for its vulnerability and charm, though some noted that his delivery was occasionally hurried. His interaction with Elliot Barnes-Worrell’s Orlando was highlighted for its palpable chemistry, especially in the play’s climactic moments. The production takes a contemporary, queer-informed approach to its female characters, often presenting them as stylized figures rather than fully conventional roles. Fisayo Akinade’s Celia provided comic relief with a shy and reserved interpretation, contributing subtle background commentary on Rosalind’s choices. Tim Preston’s Phoebe was characterized as an exaggerated embodiment of primness.
Visually, the production offered a stark contrast between court and forest settings. Designer Anisha Fields created a minimalist, austere court environment dominated by tall doors and blank surfaces. In place of traditional woodland scenery, the Forest of Arden was represented by a large structure combining turf and reeds, contributing a more abstract natural world. The use of Welsh accents was notable among the performers.
Musically, composer Theo Jamieson incorporated gentle close-harmony songs and hymns to complement the atmosphere, though some audience members questioned the inclusion of Gareth Snook’s rendition of a contemporary pop song within the character of Audrey. The staging included playful elements such as an early wrestling scene that parodied professional wrestling with exaggerated costumes and gestures, eliciting laughter from the crowd.
While the production offered moments of lively humor and charm, some reviewers reflected nostalgically on a more lyrical presentation of *As You Like It* staged three years prior at the same venue, which featured Geraldine James alongside a troupe of senior actors.
Despite the technical difficulties, the cast was widely praised for their professionalism and ability to maintain audience engagement throughout the extended interruption. By the conclusion, the atmosphere had shifted to one of relaxed enjoyment, with the audience apparently eager to embrace the production’s spirited and modern interpretation of the classic play.
