In 1969, the First African Methodist Episcopal (A.M.E.) Church in West Adams became the site of a distinctive architectural landmark designed by a devoted member of its congregation, whose connection to the church spanned decades. The church, known for its spirited gospel choir, reflects a unique design ethos intended to enhance the worship experience.

Williams, who lost both of his parents to tuberculosis at a young age, was taken in by a church family around the age of four. He grew up attending the First A.M.E. Church downtown and remained closely involved with the church community throughout his life. His deep ties to the congregation culminated in the design of their West Adams building, where his funeral was held in 1980.

The church’s design is notable, particularly for its distinctive zigzag roofline. This architectural feature was intentionally created to enhance acoustics, amplifying the sound and vibrancy of the church’s renowned gospel choir. According to members of the congregation, the roof’s shape captures and conveys the dynamic energy of the music and movement intrinsic to worship there. The zigzag pattern embodies the physical vibrations of the choir’s performance and the emotional engagement of the congregants.

Williams’s legacy extends beyond the church, as highlighted during his eulogy by Danny Thomas, the philanthropist who founded St. Jude Children’s Research Hospital. Thomas noted that Williams designed the original St. Jude hospital in Memphis in 1962 without receiving payment. This revelation, shared during the funeral service, prompted Williams’s granddaughter, Hudson, to take on the role of family archivist, determined to preserve and share the full scope of his contributions.

The First A.M.E. Church in West Adams remains a testament to the intersection of community, faith, and art, reflecting the enduring influence of Williams’s vision both in church architecture and in the broader field of design.