Lawrence Schiller, a renowned photographer known for capturing some of the 20th century’s most iconic images, has revealed new insights into his friendship and work with Marilyn Monroe in his recent book, *Marilyn & Me*. Schiller, now 89, first met Monroe in 1960 during a photoshoot on the set of the romantic comedy *Let's Make Love* at the 20th Century Fox studios in Los Angeles.
At the time, Monroe was already a global symbol of fame and beauty, frequently photographed and scrutinized. Schiller recalled the mix of excitement and nervousness he felt before meeting her. Their first encounter was marked by a memorable exchange of humor and warmth. Monroe introduced herself directly, and despite the photographer’s jitters, their interaction quickly relaxed as she laughed off his awkwardness.
The shoot itself marked the beginning of a rare and candid connection between Monroe and Schiller. Despite Monroe’s public persona as a confident star, Schiller noted moments of vulnerability during their time together. He shared a personal story with her about losing sight in his left eye as a child, which visibly affected Monroe, causing her expression to soften and show a mix of curiosity and empathy.
Schiller’s collection of photographs spans some of Monroe’s final years, including unpublished images from the unfinished film *Something's Got to Give*. These pictures are being released to coincide with what would have been Monroe’s 100th birthday on June 1, 2026. His book offers an intimate look at her life behind the scenes, portraying Monroe not only as a glamorous icon but as a complex individual with her own struggles and strengths.
One aspect Schiller highlighted was Monroe’s keen awareness of her public image and control over her portrayal. She was deeply involved in the photographic process, recommending angles and lighting to ensure the best results, demonstrating her professionalism and savvy understanding of her star power.
The book also sheds light on Monroe’s relationship with Fox Studios. Schiller recounted how she often disregarded tight shooting schedules, valuing her own timing over the studio’s demands. This behavior reflected her long-standing frustrations with Fox, where she believed she was underpaid and undervalued. Schiller referenced the notable disparity in pay between Monroe and her co-star Jane Russell during the filming of *Gentlemen Prefer Blondes* in 1953, illustrating Monroe’s perception of unfair treatment within the Hollywood system.
Schiller’s career additionally includes capturing other historic moments, such as the aftermath of John F. Kennedy’s assassination and Muhammad Ali in the boxing ring. Yet, his work with Monroe remains a defining chapter. He described her as a “dream to photograph,” whose complexity and charisma transcended the lens.
*Marilyn & Me* offers a nuanced portrayal of Monroe, balancing her celebrated public identity with the personal dimensions that shaped her life. The book invites readers to reconsider the woman behind the enduring legend as her centenary provides a moment for reflection on her legacy.