Tropa Majumdar, a well-known theatre director and actor in Bangladesh, has called attention to the financial difficulties faced by theatre groups following the withdrawal of government subsidies. She emphasized that theatre, both in Bangladesh and globally, depends significantly on state support to sustain its operations.

Majumdar noted that the recent cut in funding from the Ministry of Cultural Affairs has led to increased production costs, particularly affecting performances held at Bangladesh Mahila Samity, a historic venue that has played a key role in the country’s theatre movement. She shared insights from her experience directing plays such as *Mukti* and *Love Letters*, underscoring the continued enthusiasm of audiences for theatrical arts despite financial hurdles.

According to Majumdar, theatre cannot survive as a self-sufficient industry; rather, it requires regular government patronage to remain accessible and viable. She urged the government to consider reinstating subsidies and to undertake constructive measures that would help preserve the performing arts sector. Highlighting the cultural significance of theatre, she stressed that state support is essential not only for sustaining artistic expression but also for ensuring that diverse audiences can continue to experience live performances.

Majumdar’s comments come amid growing concerns within Bangladesh’s artistic community about reduced public funding and its impact on creativity and accessibility. The call for renewed government engagement reflects broader discussions about the role of cultural institutions in national identity and community development.