A new theatrical adaptation of Jerome K. Jerome’s classic 1889 comic travelogue *Three Men in a Boat* brings fresh energy and contemporary humor to the beloved story. The production, staged in Kingston, condenses the original two-week Thames boat journey into a brisk one-week trip from Kingston to Oxford, where one of the characters, Harris, is to be married.
Al Smith’s adaptation reimagines the tale with a lively and tightly structured script that emphasizes physical comedy and musical interludes. The story follows the three central characters—George, Harris, and Jerome—who are portrayed as endearingly hapless companions embarking on a misadventure along the river. The journey begins with the three meeting in the Hampton Court maze, from which they must be rescued by Jerome’s dog, Montmorency.
The production’s pace is set early by sequences in the maze, cleverly represented by three rotating hedges, as the cast navigates both the set and the audience space. Performers Richard David-Caine (George) and Bronté Barbé (Harris) deliver strong physical comedy, enhanced by John Nicholson’s movement direction. The performance is further enlivened by original songs composed by Grant Olding that shift between styles reminiscent of Gilbert and Sullivan and upbeat psychedelic disco numbers.
The show also underscores themes of friendship and the desire for escape that were central to Jerome’s original work. The narrative evokes a longing to step away from the pressures of the era—an element that resonates in today’s uncertain geopolitical climate, making the story’s ode to simple pleasures particularly relevant.
Onstage chemistry between the actors is a highlight, notably among Jonny Weldon’s portrayal of the hypochondriac Jerome, Barbé’s comedic depiction of Harris, and David-Caine’s portrayal of the composed George. Their interactions, whether discussing barometers, sausages, or personal relationships, balance the absurd with genuine affection.
A notable feature of the production is the puppet role of Montmorency, an exuberant and mischievous fox terrier brought to life by puppeteer Calum Donald-Bruce. The character’s antics—including swan-chasing, enthusiastic licking, and unexpected philosophical moments—add a distinct layer of humor and charm.
Overall, this adaptation offers a spirited and inventive take on a literary classic, blending physical comedy, music, and puppetry to provide audiences with a joyful theatrical experience suitable for the autumn season.