Willy Russell’s play *Educating Rita* is currently being staged at Curve Theatre in Leicester, offering a contemporary production that stays true to the original 1980 setting while exploring enduring themes of self-empowerment and personal growth through education.

The story follows Rita, portrayed by Alexandra Mardell, a lively woman from Liverpool who enrolls in an Open University English literature course to break free from the limitations imposed by her working-class background and domestic life. Dominic Mafham plays Frank, a disillusioned academic and former poet who becomes Rita’s tutor. Their interactions serve as the backbone of this two-character drama.

Director Cara Nolan’s interpretation retains the period details, such as an older telephone model and era-specific cultural references, reinforcing the story’s historical context. The production depicts societal expectations of the time—illustrated by pressures Rita faces from her husband to conform to traditional roles—while emphasizing themes that remain relevant today, including self-determination and the quest for intellectual and personal freedom.

Early scenes between Rita and Frank show a somewhat tentative connection, with the chemistry between the leads developing gradually rather than immediately sparking. Mardell delivers a broad, spirited performance as Rita, capturing her character’s earnest ambition. Though the initial pacing and humor take time to find their stride, the second act brings a noticeable shift in energy. Frank’s quiet struggles and moments of vulnerability become more compelling, and Rita’s transformation gains clarity and resonance.

The relationship between the two characters avoids clichéd romantic overtones, instead highlighting a platonic yet deeply caring bond. Frank shares candidly about his past, including a relationship with a former student, underscoring the authenticity of their connection. This dynamic reinforces the mutual influence they have on each other’s lives, rather than portraying a one-sided mentorship.

Russell’s writing offers a nuanced look at female agency, with Rita’s journey toward intellectual and personal empowerment at the center. The play continues to hold its classic status, as it thoughtfully examines issues of class, societal expectations, and the pursuit of self-realization.

*Educating Rita* at Curve Theatre runs through October 17.