Musician Tricky and journalist Craig McLean have reconciled nearly three decades after a violent incident at Glastonbury Festival in 1998. The two met in London ahead of Tricky’s show at the Troxy as part of his UK and European tour, marking a significant step toward resolving a long-standing conflict rooted in their past.

The clash dates back 28 years when Tricky, born Adrian Thaws, struck McLean during a tense encounter. Reflecting on the event during their meeting, Tricky recalled, “Just going in and knocking you out!” He described how his uncle intervened with a light jab that prevented more serious injury, emphasizing that if it had been a full strike, McLean’s jaw could have been broken. Despite the altercation, both men approached their reunion with a tone of openness and reflection.

Tricky expressed regret for his actions, attributing them to youth and the chaotic environment of the 1990s music scene, characterized by heavy partying and substance use. “I know I did stupid things. I did many stupid things. And I’m not a proud man where I can’t admit where I messed up,” he said, framing the reconciliation as part of his personal growth. McLean, who had previously documented the turbulent period in British pop culture, acknowledged his own role, conceding to his former arrogance.

The dispute originally stemmed from perceived criticisms McLean made regarding Tricky’s relationship with Martina Topley-Bird, a longtime collaborator and mother of Tricky’s daughter Mina Mazy. Tricky recalled feeling provoked by what he interpreted as comments about “holding Martina back,” which intensified his anger, leading to the physical confrontation. However, McLean later clarified that his published work did not contain such remarks and suggested some of the tension arose from misunderstandings and reports by other journalists.

Both men looked back on those years as challenging times marked by rapid success and immense pressure. Tricky’s rise from humble beginnings to a multimillion-pound career brought scrutiny and expectations he struggled to manage. He cited external accolades—from David Bowie’s praise to comparisons with Bob Marley and Miles Davis—as overwhelming influences that contributed to his stress. Financial difficulties and health issues, including a candida overgrowth diagnosis, compounded his struggles during that era.

In recent years, Tricky has taken significant steps toward healing, including engaging in therapy for the past three years and adopting a disciplined lifestyle focused on physical and mental well-being. He acknowledged that the death of his daughter has profoundly affected him but also helped him mature and look forward. His forthcoming album, Different When It’s Silent, scheduled for release on July 17, reflects this ongoing evolution. The closing track, “Out of Place,” is dedicated to his daughter, embodying themes of loss and resilience.

As their meeting concluded, both men exchanged apologies—Tricky for the assault, McLean for his youthful arrogance—demonstrating mutual respect after years of tension. Accompanied by Mitch Sanders, a young Bristolian vocalist collaborating with Tricky, the encounter highlighted a genuine change in the artist’s demeanor, marked by openness, humor, and a desire to move forward.

Their reconciliation offers a rare glimpse into the complexities of personal and professional relationships in the music industry’s vibrant but often volatile 1990s scene and underscores the potential for growth and understanding over time.